Item type | Location | Call Number | Status | Notes | Date Due |
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Book | General Reading Room | 2154/0021 (Browse Shelf) | Available | 345002 |
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2154/0015Red Woman's Detachment | 2154/0016Mine Warfare | 2154/0020La musique chinoise en France au XVIIIe siècle | 2154/0021Worldly stage | 2154/0022Musical References in the Chinese Classics | 2154/0023A Critical Study of Chu Tsai-yü's Contribution to the Theory of Equal Temperament in Chinese Music |
Includes bibliographical references and index.
Introduction -- Significance of theatricality in seventeenth-century China -- Performance practice and stage architecture -- Theatricality and pedagogy in Tang Xianzu's Mudan Ting (The Peony Pavilion) -- Illusion and allusion: the theatricality of gender and history in Wang Jide's Nan Wanghou (The male queen) -- Literary consumption of actors in seventeenth-century China -- Storyteller Liu Jingting : the theatricality of the "vernacular" in Kong Shangren's Taohua Shan (The peach blossom fan) -- Conclusion..
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