LDR 01354nam a2200253 i 4500
001     IFS345002
005     20110718
020    _a9780674021440
040    _aGyGoGBV
       _bger
       _cIFS
041 0  _aeng
100 1  _aVolpp, Sophie
       _d1963-.
245 10 _aWorldly stage
       _btheatricality in seventeenth-century China
       _cSophie Volpp
260 3  _aCambridge
       _bHarvard University Asia Center
       _c2011
263    _a1102
300    _a371 S
500    _aIncludes bibliographical references and index.
505 0  _aIntroduction -- Significance of theatricality in seventeenth-century China -- Performance practice and stage architecture -- Theatricality and pedagogy in Tang Xianzu's Mudan Ting (The Peony Pavilion) -- Illusion and allusion: the theatricality of gender and history in Wang Jide's Nan Wanghou (The male queen) -- Literary consumption of actors in seventeenth-century China -- Storyteller Liu Jingting : the theatricality of the "vernacular" in Kong Shangren's Taohua Shan (The peach blossom fan) -- Conclusion..
650  0 _aArt -- Theatre -- Qing
650  0 _aArt -- Theatre -- Performance -- Qing
650  0 _aArt -- Theatre -- Stage Architecture -- Qing
650  0 _aLiterature -- Drama -- Qing
942    _2ddc
952    _r2011-07-18
       _fEUR
       _x11250017
       _40
       _e6
       _00
       _621540021
       _9210964
       _10
       _o2154/0021
       _d2011-07-18
       _z345002
       _70
       _c1
       _g37.31
       _yBOOK
       _aIFS
999    _c345002
       _d345002