LDR 02822cam a22002774a 4500
001     IFS345516
005     20111215
020    _a9780230272170
040    _aDLC
       _cIFS
       _dDLC
       _dAS
041    _aeng
245 00 _aGenre in Asian Film and Television
       _bNew Approaches
       _cedited by Felicia Chan, Angelina Karpovich, Xin Zhang
260    _aHoundmills
       _aNew York
       _bPalgrave Macmillan
       _c2011
300    _axi, 255 p
       _bills.
       _c23 cm
504    _aIncludes bibliographical references and index.
505 8  _aMachine generated contents note:  Introduction /  F.Chan & A.Karpovich -- NON-FICTION GENRES : Live or Dead? Televised Theatre and its Audiences in Bali / M. Hobart -- Law Through a Hybrid Genre in Solomon's Choice: A Case Study of a Reflection on Law Education Through Television in Korea / J.Y. Park -- Eyes of the Other: The Role of Chinese Women Through the Lens of Documentary Films / C.J. Pang -- Almost Propaganda But Not Quite: Identity, Modernity, and the Construction of  'The Native' in Two Recent Taiwanese Documentaries / H.S. Liao --  RECONSIDERING MAINSTREAM GENRES. Between Mainstream and Alternative: Dialect Drama in China / X. Zhang -- Everything Masala? Genres in Tamil Cinema / M. Christopher -- De-Freezing Notions of the Indian Mythological / V.T. Vardhan -- The Hindi Horror Film: Notes on the Realism of a Marginal Genre / V. Vitali -- From Genre Flick to Art Film: Seijun Suzuki's Branded to Kill and Pistol Opera / T. Trifonova -- GENRE AND CROSS-CULTURAL REPRESENTATION. (In)Action Film: Genre and Identity in Rashid Nugmanov's The Needle / A. Karpovich -- The Golden Glow of the Alps: Capitalism, Globalization and Anime's Dreams of Europe / C. Van Staden -- The Other and the Neighbour: Negotiating Representations of 'Asia' in Bengali Films / M. Mukherjee -- Genre as Cultural Whimsy: Taking to the Road in Takashi Miike's The Bird People in China and Fridrik Thor Fridriksson's Cold Fever / F. Chan -- East Asian Pop Culture / C.B. Huat.
520    _a"Genre in Asian Film and Television takes a dynamic approach to the study of Asian screen media previously under-represented in academic writing. It combines historical overviews of developments within national contexts with detailed case studies on the use of generic conventions and genre hybridity in contemporary films and television programmes"--
650  0 _aArt -- Film -- Communist Era
650  0 _aArt -- Film -- Documentary Films -- Communist Era
650  0 _aArt -- Film -- Television -- Communist Era
650  7 _aArt -- Film -- Performing Arts -- Communist Era
700 1  _aChan, Felicia
700 1  _aKarpovich, Angelina
       _d1979-
700 1  _aZhang, Xin
       _d1975 Aug. 25-
942    _2ddc
952    _r2011-12-15
       _fEUR
       _x11490176
       _40
       _e6
       _00
       _621540116
       _9211727
       _10
       _o2154/0116
       _d2011-12-15
       _z345516
       _70
       _c1
       _g62.27
       _yBOOK
       _aIFS
999    _c345516
       _d345516